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At Sea in the City

New York from the Water's Edge

ebook
1 of 1 copy available
1 of 1 copy available
New York is a city of few boundaries, a city of well-known streets and blocks that ramble on and on, into our literature, dreams, and nightmares. We know the city by the byways that split it, streets like Broadway and Madison and Flatbush and Delancey. From those streets, peering down the blocks and up at the top floors, the city seems immense and endless.
And though the land itself may end at the water, the city does not. Long before Broadway was a muddy cart track, the water was the city's most distinguishing feature, the rivers the only byways of importance. Some people, like William Kornblum, still see the city as an urban archipelago, shaped by the water and the people who have sailed it for goods, money, pirate's loot, and freedom. For them, the City will always be an island.
William Kornblum—New York City native, longtime sailor, urban sociologist, and first-time author—has spent decades plying the waterways of the city in his ancient catboat, Tradition. In At Sea in the City, he takes the reader along as he sails through his hometown, lovingly retelling the history of the city's waterfront and maritime culture and the stories of the men and women who made the water their own. In At Sea in the City and in Kornblum's own humility, humor, and sense of wonder, one detects echoes of E. B. White, John McPhee, and Joseph Mitchell.
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    • Publisher's Weekly

      April 8, 2002
      The glorious anachronisms of sailing stand out in high relief against the backdrop of New York City in these vignettes of sailing around Manhattan. Kornblum's Tradition
      is a 24-foot-long shallow-draft workboat—based on an American catboat design, which he found and adapted from a classified ad. But Kornblum, a professor at the City University of New York, minimizes the nostalgic restoration story and takes readers right on board for refreshing views of an island city that was built on the economic foundations of great natural harbors and fertile inland waterways. Kornblum knows the remaining "urban archipelago" and cruises Jamaica Bay, the tidal Hudson, the Rockaways and the inshore Atlantic coast. He sails under the city's modern bridges, through disused canals, into still wild wetlands, and pauses for nautical history lessons at sites like the wreck of the General Slocum
      in 1904, a catastrophe in the narrows of Hell Gate. The eight essays glide along nicely, even as Kornblum approaches the unromantic waters around the East Coast's largest airport and the churning oil-sheen tides of the Arthur Kills. Kornblum and his wife, Susan, are wonderful guides to the city, with its often uninviting waterline. Illus. and charts.

    • Library Journal

      April 15, 2002
      Kornblum (sociology, CUNY), a native New Yorker, has spent much of his life touring New York's waters. Part urban sociology, part erudite Circle Line tour, Kornblum's charming book recounts the history of New York's waterfront and maritime culture even as he sails along beside it in his old sailboat, Tradition. Kornblum sees the city as an urban archipelago with only one-eighth lying on the mainland; the rest is comprised of larger and smaller islands, many virtually unknown to most New Yorkers. Kornblum hopes that more people will take to the waters of the city to see it from sea level, where it remains a place within nature's domain. Although forever changed by September 11, 2001, for Kornblum the city's waters still exert a magical pull; and for much of the rest of the world, he believes New York remains a place of infinite human possibility. With a fine introduction by onetime waterfront reporter Pete Hamill, this appealing work is suitable for New York City collections. Harry Frumerman, formerly with Hunter Coll., New York

      Copyright 2002 Library Journal, LLC Used with permission.

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