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Here She Is

The Complicated Reign of the Beauty Pageant in America

ebook
1 of 1 copy available
1 of 1 copy available
A fresh exploration of American feminist history told through the lens of the beauty pageant world.
Many predicted that pageants would disappear by the 21st century. Yet they are thriving. America’s most enduring contest, Miss America, celebrates its 100th anniversary in 2020. Why do they persist? In Here She Is, Hilary Levey Friedman reveals the surprising ways pageants have been an empowering feminist tradition. She traces the role of pageants in many of the feminist movement’s signature achievements, including bringing women into the public sphere, helping them become leaders in business and politics, providing increased educational opportunities, and giving them a voice in the age of #MeToo.
Using her unique perspective as a NOW state president, daughter to Miss America 1970, sometimes pageant judge, and scholar, Friedman explores how pageants became so deeply embedded in American life from their origins as a P.T. Barnum spectacle at the birth of the suffrage movement, through Miss Universe’s bathing beauties to the talent- and achievement-based competitions of today. She looks at how pageantry has morphed into culture everywhere from The Bachelor and RuPaul’s Drag Race to cheer and specialized contests like those for children, Indigenous women, and contestants with disabilities. Friedman also acknowledges the damaging and unrealistic expectations pageants place on women in society and discusses the controversies, including Miss America’s ableist and racist history, Trump’s ownership of the Miss Universe Organization, and the death of child pageant-winner JonBenét Ramsey.
Presenting a more complex narrative than what’s been previously portrayed, Here She Is shows that as American women continue to evolve, so too will beauty pageants.
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    • Library Journal

      August 14, 2020

      Sociologist Friedman (Brown Univ.; Playing To Win) offers a fresh examination of American beauty pageant culture that weaves history, sociology, and a touch of personal memoir. Friedman begins with the 19th-century rise of baby shows and beauty contests alongside the public pageantry of women's rights activism. Then the author turns with the 20th century to focus on the Miss America pageant--because of its cultural dominance and because Friedman's mother, Pamela Eldred, was crowned Miss America 1970; family history provides a narrative anchor. Alongside a chronological investigation into the Miss America pageant from 1921 to the present, Friedman weaves in discussions of regional and state competitions, child beauty pageants, and other pageant variations. She also considers feminist engagement with pageant culture, exploring how the practice has (and has not) changed over the past century. Friedman acknowledges that competing in beauty pageants has historically been "one of the whitest and most ableist and heteronormative things a young woman could do"; individual women have used pageants to access opportunity by benefiting from, rather than working to dismantle, dominant cultural norms. VERDICT An accessible study of beauty pageant culture, this is an engaging, thought-provoking read.--Anna J. Clutterbuck-Cook, Massachusetts Historical Soc., Boston

      Copyright 2020 Library Journal, LLC Used with permission.

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  • English

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